The Cleveland Public Library recently unveiled TechCentral, a new downtown computing hub that offers free use of laptops, tablets and desktop computers, wireless access and 3-D printing.

A library card is all one needs to access the center, which cost $1 million to build and is located in 7,000 square feet in the lower level of the Louis Stokes Wing.

In addition to being able to explore the latest technology on site, card holders will be able to borrow iPads and Kindles to take home for a week at a time. They will also be able to borrow laptops for use anywhere in the building -- including the Eastman Reading Garden -- but won't be able to take them off premises.

Other features of TechCentral include a flexible learning space and SMART board, cloud computing and computer instruction at the main library as well as branches.

CPL created TechCentral in part to provide city residents access to technology. Yet the library's intentions go beyond serving its core constituency of Cleveland residents to better connecting the library to new developments in downtown.

TechCentral is the first phase of CPL’s $12-13.5 million Downtown Destination Plan, which aims to better connect CPL’s downtown buildings with East 4th Street, the Horseshoe Casino, Public Square, the Medical Mart and Convention Center.


Source: Cleveland Public Library
Writer: Lee Chilcote

Don Hayes has a new vision for Cleveland's fashion industry, and the design coop that he's building in a renovated factory on the near west side is helping to make it real by spotlighting young, local designers.

"The fashion scene in Cleveland has a lot of potential," he says. "There are a number of designers here, but people aren't necessarily aware of them."

Recently, Hayes launched Design Lab Inc., a fashion co-op consisting of three separate companies: Cloud 9 Boutique, Project Model Academy and Cloud 9 Event and Royal Wedding Planning. Cloud 9 boutique showcases 11 local designers.

In a former torpedo factory off of Clark and West 33rd with exposed brick walls and lofted ceilings, Hayes and another designer create and sell clothes on site.

"You can literally watch clothes go from the sewing machine to the rack," Hayes says of the 2,500 square foot space, which is at once a studio, office and store.

Hayes also partners with Collinwood High School to offer interns the opportunity to work in the fashion industry. "You don't have to leave Cleveland to be successful, and it's helpful to have a mentor on that journey."


Source: Don Hayes
Writer: Lee Chilcote

If there's one thing we Clevelanders can count on, it's that when the weather heats up, so too does the festival schedule. Summers here are filled with all matter of artsy, edgy and just-plain-fun festivals. Here is a visual tour of some of the best in town, including Parade the Circle, Cleveland Asian Fest, Hessler Street Fair, Gay Pride, the Feast, and more.

Now in its fourth year, Larchmere PorchFest has blossomed into one of the most beloved of summer festivals. This homespun event does more than bring music to the front porches of this diverse Cleveland neighborhood; it highlights local independent businesses, fosters a sense of community, and markets the area to future residents.

Groundworks Dance Theater recently presented an original work choreographed by Lynne Taylor-Corbett that featured rousing Broadway-style choreography set to the music of the 80s band the Pretenders.

The show wasn't exactly what comes to mind when one thinks of contemporary dance, and audiences loved it. Groundworks General Manager Beth Rutkowski says her organization is using performances like this to reach new audiences in Cleveland.

"There are a lot of people who say, 'I'm not really a modern dance person and modern dance is weird,'" says Rutkowski. "Yet if we're able to get them in the door, they find our work is extremely accessible. It's getting past that barrier."

Connecting diverse, new audiences to Cleveland's rich arts and culture groups is the purpose of Engaging the Future, an initiative by the Cleveland Foundation to help arts organizations think differently about how to grow their audiences.

"It's about more than just putting butts in seats," says Rutkowski. "We're looking at ways to engage different people and a more diverse audience. Audiences for many arts organizations in Cleveland are getting older and are for the most part white. We want to look at new ways of thinking and share best practices."

Some of the new ideas Groundworks is considering include collaborating with other groups; stressing a more interactive relationship with its audience; offering performances online for younger audiences that want to "self-curate"; hosting evening gatherings of creative individuals, including entrepreneurs, to explore the relationship between art and creativity; and developing a series of videos called "It's Your Move" that connect dance to regular, everyday body movements.

Engaging the Future recently released a survey and hopes to glean audience information from it that will help organizations to chart a course in the future.


Source: Beth Rutkowski, Kristin Puch
Writer: Lee Chilcote

In the spirit of summer fun, Pittsburgh-based writer Elaine Labalme compares her beloved Kennywood amusement park to Cedar Point, our own little pleasure factory. Comparing the two parks in regards to thrill rides, wooden coasters, classic rides, water rides, food and atmosphere, the writer comes to an unscientific decision that both parks are worthy of a summer visit.

Before a packed house at Severance Hall, Cleveland Foundation President Ronn Richard touted the city's accomplishments in becoming a hub of innovation and taking bold steps to address big problems at the foundation's annual meeting this Tuesday.

Waxing poetic on the gilded stage for a moment, Richard harkened back to the foundation's early days in the 1910's as a time of tremendous innovation in Cleveland. "I still wonder if the past might be prologue," he mused, noting that the foundation's centennial is just two years away. "Can we envision the spirit of a second renaissance in Cleveland?"

Richard also posed a challenge to civic leaders to remain focused on true economic development and social change within the city. "Physical development, as wonderful as it is, must be coupled with investment in people and placemaking," he said, noting that the building spree of the 1990s was too focused on bricks and mortar projects. "We need to invest in connecting communities."

Among the foundation's projects, Richard touted the Cleveland schools plan that recently passed the state legislature, ongoing investments in high quality urban education, economic development programs such as the HealthTech Corridor and the Evergreen Cooperatives, and programs to connect new audiences to the arts.

Richard also told the audience that later this year the Cleveland Foundation will unveil a new microlending program for entrepreneurs seeking loans under $50,000 to help spur job creation and assist the creation of startups.


Source: Ronn Richard
Writer: Lee Chilcote

Chloe Hopson knows firsthand the disparity between urban and suburban arts education programs. Having grown up on South Moreland on the edge of Shaker Heights and Cleveland, she flourished in the arts-rich Shaker Heights school system while many of her Cleveland friends lacked similar opportunities.

That's why Hopson founded the Passport Project 14 years ago. She wanted to provide arts programs to youth living in the Buckeye, Larchmere and Shaker Square neighborhoods, and expose them to different cultures across the globe. "We help kids in the Cleveland Metropolitan School District to build literacy skills, and we also help them see that there's a whole world out there," she says.

Now this "local girl with a global perspective," as she calls herself, is working with other arts organizations, residents and businesses in the community to launch Shaker Square Arts. The new organization will offer a range of free programming and classes and will use the historic Shaker Square shopping plaza as its home base.

"We're looking to create a more vibrant neighborhood and one where we get to know each other," says Hopson, who now lives in the Larchmere neighborhood and operates the Passport Project in a storefront at Buckeye and East 128th Street. "We hope to bring people together across perceived lines of difference."

Some of the programs include West African dance and percussion classes, capoeira classes, storytelling workshops and "Drinks and Doodles." This "happy hour with a twist" will invite attendees to draw on a napkin and enter their creation into a contest to win a $25 gift certificate from a local Shaker Square merchant.

Some of the partners involved in Shaker Square Arts include the Passport Project, Lake Erie Artists, City Dance, the Coral Company and area artists and residents. The free classes are supported by a grant from Neighborhood Connections.

A Drinks and Doodles happy hour will take place on Thursday, June 21st from 5-7 pm at Dewey's Coffee Shop. A free West African percussion and dance class will be held this Saturday, June 23rd from 12:30-2 pm right before Larchmere Porchfest.


Source: Chloe Hopson
Writer: Lee Chilcote

Born David Harrill in Mayfield Heights, "Dee Jay Doc" relocated with his wife to the Glenville neighborhood. By helping area youth write and record music, Doc is able to merge his professional talents with his passion to cultivate a better future for the children. Now, giving back to his community and city is his living.

Santina Protopapa is a self-professed high school "band nerd" who learned about hip hop while organizing a Rock Hall conference, then used it as a launching bad to start her own arts nonprofit.

Ten years later, the Progressive Arts Alliance (PAA) serves more than 1,000 students across Northeast Ohio every week through hip hop arts education.

"Our students have really grown to be leaders through hip hop," says Protopapa, a percussionist and DJ who teaches rap, hip hop, dance, film and animation. "Teachers are excited because they have no way to present this stuff in a meaningful way to their kids. They tell us, 'We could never have done this without you.'"

Last month, the PA All-Stars, a group of five high school and college students who write and perform their own original hip hop tunes, had a chance to perform on stage at the Kennedy Center in Washington D.C. The event was part of a program called "What's Going on Now" which celebrated the 40th anniversary of Marvin Gaye's famous album. The PA All-Stars also ended up on PBS News Hour.

"It was really cool to have the opportunity to present their work to a larger audience," says Protopapa. "Normally our shows are attended by parents."

On August 11th, PAA will celebrate its 10th anniversary with an event called Ten Years of Rhapsody at the House of Blues in Cleveland. The fundraiser will feature a tribute to Cleveland break dancing legends Project Five featuring Councilman Matt Zone, the Corporate Cleveland's Best Dance Crew crew competition, live dance performances and hands-on art experiences for people of all ages.


Source: Santina Protopapa
Writer: Lee Chilcote

During Langston Hughes' heyday, African American theatre was "booming, expressive, avante garde and politically punching," says Anthony Elfonzia Nickerson-El of Project1Voice, a national group that aims to spark renewed interest in black theatre. "Hughes and his contemporaries were the conscience of the community."

Fast forward 80 years. Historically African American theatres continue to play an important role in exposing young people in urban areas to the arts and nourishing the much-needed attributes of creativity, critical thinking and self-confidence. Yet they also face new economic challenges in the wake of the Great Recession.

"During this time of reduced funding for the arts, African American theatres have been hit hard financially," says Nickerson-El. "These theatres offer arts and music programs that may not be in the schools anymore. They play a significant role in the development of young people and introduce the community to the arts."

Cleveland is fortunate to be home to Karamu House, the oldest African American theatre in the U.S. Many of Langston Hughes' plays premiered at the theatre.

To help raise money for African American theatres, Project1Voice sponsors a fundraiser called "1 Voice, 1 Play, 1 Day." A stage reading of James Baldwin's "The Amen Corner" will take place on Monday, June 18th at 7 pm to benefit Rainey Institute Children's Theatre. Tickets are $25 and can be purchased online.


Source: Anthony Elfonzia Nickerson-El
Writer: Lee Chilcote

When National Endowment for the Arts Chairman Rocco Landesman toured Cleveland's arts districts last year, he blogged about how they were actively applying the principles of arts-based development and urban placemaking touted daily by the NEA.

Now ArtPlace, a creative placemaking initiative led by the NEA and others, has awarded Northeast Shores Development Corporation a $500,000 grant to engage local artists in creatively combating urban vacancy and foreclosure in Cleveland.

“This work is part of a national creative placemaking movement that, we believe, will have a profound and lasting impact on the health and wellbeing of communities throughout the country," said Ford Foundation President Luis Ubinas in a news release. The ArtPlace initiative is supported by a variety of national foundations, federal partners, and a $12 million loan fund.

Competition was extremely fierce. North Collinwood's application was selected, along with 46 other grantees, from over 2,000 applications across the country.

"Collinwood Rising will work with artists to establish replicable development models for artist space in older industrial cities, leveraging ongoing HUD and municipal investments," according to the NEA's ArtPlace news release.

"The investment will allow us to make targeted interventions in three vacant properties in and around the Waterloo Arts & Entertainment District," says Camille Maxwell, Real Estate Development Director with Northeast Shores. "These interventions are the conversion of a vacant lot into an artist-inspired playground; conversion of a vacant house into an artist live/work facility; and conversion of a vacant storefront into a performing arts incubator."


Source: Rocco Landesman
Writer: Lee Chilcote

The term "Rust Belt Chic" has been bandied about in urban journalism circles for over a decade. But lately, the connotation and import of that catchy phrase seem to be taking on a welcome new identity. A book in progress from Cleveland-based writers aims to take ownership of the phrase and help define what it truly means to live in a recovering Rust Belt city.

Technology, health care, food and rock and roll -- these are just a few of the industries flourishing in the eclectic Midtown neighborhood, its leaders told a sold out crowd at the Midtown Cleveland Inc. annual meeting at the InterContinental Hotel.

Key accomplishments within the past year include a successful lawsuit that stopped the Ohio Department of Transportation (ODOT) from closing Innerbelt ramps until a study has been completed; breaking ground on several new projects within the Health-Tech Corridor; securing a commitment for a new Third District police headquarters on Chester Avenue; facilitating the redevelopment of the historic Agora Theatre; and completing a new plan to transform the East 55th and Euclid intersection into a more vibrant downtown for the neighborhood.

"We are succeeding in reinventing MidTown Cleveland," said Director Jim Haviland.

"A healthy urban core helps all boats to rise, and MidTown is an example," said Len Komoroski, President of the Cleveland Cavaliers and Quicken Loans Arena, during a keynote address that touted the Cavs' investment in Cleveland. Komoroski said the Cavs had spent millions renovating Quicken Loans Arena into a "dynamic urban environment" that attracted people to visit downtown.

Komoroski shrugged off concerns that the new Horseshoe Casino would be a self-contained facility whose visitors would not spend money elsewhere in Cleveland. "This is a decidedly knit-into-the-urban-environment casino," he said. As an example of the spillover benefits of a casino that Komoroski claimed is "underserved from a food and beverage perspective," he cited the fact that Michael Symon recently tweeted about a record night at Lola on East 4th.


Source: Jim Haviland, Len Komoroski
Writer: Lee Chilcote

Christopher Busta-Peck first became interested in teaching others about Cleveland's architectural history when he developed summer history programs for kids as part of his job as a children's librarian.

Too fascinated to put the material down, he soon found himself enmeshed in creating a local history and preservation blog, Cleveland Area History, that has been called the voice of history and historic preservation in Northeast Ohio.

Part of what motivates Busta-Peck is the simple notion that our area's history often lies "hidden in plain sight" between modern buildings, tucked amid neighborhoods or covered up by garish additions. He also believes historic buildings are among the competitive advantages our city should trumpet.

"We have historic buildings that set us apart from other parts of the country," he says. "It's a monetary asset we need to think of when compared to other cities."

Through working to elevate the discussion about urban history, Busta-Peck hopes to make saving Cleveland's forgotten fabric a bigger part of our civic discourse.

On Saturday, June 9th, Busta-Peck will lead a walking tour of East Cleveland in collaboration with SPACES. Among the sites on the tour are a stone tannery he touts as one of the most significant early industrial sites in Cleveland and a large, once beautiful mansion that now lies hidden behind a gas station.


Source: Christopher Busta-Peck
Writer: Lee Chilcote

The Princeton Prize in Race Relations is awarded each year to outstanding high school students across the country who are helping to increase understanding and mutual respect among all races and cultures.

The Cleveland prize, now in its second year, was recently awarded to Demi Zhang, a freshman at Orange High School who has devoted herself to achieving racial and cultural harmony through teaching others. Zhang has exposed her community to Chinese culture through art and music (she plays the Gu-Zheng, which is the Chinese zither) and created a Chinese club for neighborhood children.

"I found that people were not very aware of Chinese culture in Northeast Ohio, even though we have a sizeable Chinese community here," says the Pepper Pike resident. "Our Chinese heritage is important to my parents and grandparents, and I inherited that. Along with preserving my own identity, I wanted to address different barriers that exist between cultures in the form of ignorance."

"When people share aspects of their culture, they share part of their identity," she adds. "That kind of understanding is what the Princeton Prize is all about."

The winner of the Princeton Prize receives a $1,000 cash prize and is publicly recognized for his or her efforts. Two other Cleveland-area students -- Prateek Singh, a freshman at Solon High School, and Shivangi Bhatia, a sophomore at Orange -- received Certificates of Accomplishment for their work.

An awards event will take place on Thursday, May 24th at the Tudor Arms Hotel. For more information or to attend, contact Sandhya Gupta at sandhyag@alumni.princeton.edu.


Source: Sandhya Gupta, Demi Zhang
Writer: Lee Chilcote