Arts + Culture
The Capitol Theatre, a three-screen movie theater at Detroit and W. 65th Street that opened in late 2009, has met its projections by attracting 45,000 patrons in its first year.
The pioneering venue is the only indie movie theater on Cleveland's west side. The Detroit Shoreway Community Development Organization (DCSDO), the nonprofit developer, secured financing and broke ground on the project just a few months before the collapse of the financial markets in 2008. The theater, which contains a beautifully restored main room and two smaller rooms, is a centerpiece of the burgeoning Gordon Square Arts District.
To ensure continued viability, the Capitol must grow its audience by 10 percent per year for the next five years, says Jenny Spencer, Project Manager with DSCDO. "Right now, we're building an audience," says Spencer. "We're doing about as well as we'd expected, but we need to keep growing."
Spencer cited the strong attendance during recent screenings of Black Swan and True Grit as indication that the Capitol's audience will continue to grow.
Since the Capitol opened, it has broken the corporate mold by offering special events, resident discounts, partnerships with local restaurants and other creative strategies to entice moviegoers. Currently, it is offering a promotion for Lakewood residents, who can see a movie for $6 through the end of March. The Capitol is run by Cleveland Cinemas, which manages eight theaters, including the Cedar Lee.
The Capitol Theatre's growing audience will also help to attract more independent films, Spencer said. When the Capitol Theatre project was first launched, the venue was billed as the "Cedar Lee of the West Side" by promoters. However, the theater had difficulty attracting the indie hit "Waiting for Superman" because attendance wasn't high enough. Thus, the theater has been forced to screen a mix of independent and larger Hollywood films, and Spencer says that will likely continue.
Although movie theaters across the country continue to face competition from Netflix and other online services, Spencer says that special events such as "Sunday Classic Movies" and partnerships with restaurants are attracting patrons seeking a unique movie-going experience. And while Crocker Park has 16 screens, she adds, the Capitol is still the only West Side venue where you can order a beer.
Source: Jenny Spencer
Writer: Lee Chilcote
The pioneering venue is the only indie movie theater on Cleveland's west side. The Detroit Shoreway Community Development Organization (DCSDO), the nonprofit developer, secured financing and broke ground on the project just a few months before the collapse of the financial markets in 2008. The theater, which contains a beautifully restored main room and two smaller rooms, is a centerpiece of the burgeoning Gordon Square Arts District.
To ensure continued viability, the Capitol must grow its audience by 10 percent per year for the next five years, says Jenny Spencer, Project Manager with DSCDO. "Right now, we're building an audience," says Spencer. "We're doing about as well as we'd expected, but we need to keep growing."
Spencer cited the strong attendance during recent screenings of Black Swan and True Grit as indication that the Capitol's audience will continue to grow.
Since the Capitol opened, it has broken the corporate mold by offering special events, resident discounts, partnerships with local restaurants and other creative strategies to entice moviegoers. Currently, it is offering a promotion for Lakewood residents, who can see a movie for $6 through the end of March. The Capitol is run by Cleveland Cinemas, which manages eight theaters, including the Cedar Lee.
The Capitol Theatre's growing audience will also help to attract more independent films, Spencer said. When the Capitol Theatre project was first launched, the venue was billed as the "Cedar Lee of the West Side" by promoters. However, the theater had difficulty attracting the indie hit "Waiting for Superman" because attendance wasn't high enough. Thus, the theater has been forced to screen a mix of independent and larger Hollywood films, and Spencer says that will likely continue.
Although movie theaters across the country continue to face competition from Netflix and other online services, Spencer says that special events such as "Sunday Classic Movies" and partnerships with restaurants are attracting patrons seeking a unique movie-going experience. And while Crocker Park has 16 screens, she adds, the Capitol is still the only West Side venue where you can order a beer.
Source: Jenny Spencer
Writer: Lee Chilcote
korea times talks up cle museum of art
The Korea Times, the oldest English-language newspaper published in South Korea, featured the Cleveland Museum of Art in a recent article. The museum will hold an exhibition called "The Lure of Painted Poetry: Japanese and Korean Art" from March 27 to August 28.
Korean and Japanese artists have combined visual art and poetry for centuries, using the themes of classical Chinese poetry as inspiration for calligraphy, painting, and the decorative arts.
The works in this exhibition, like the Chinese poems upon which they are based, explore the theme of "spiritual utopia and liberation from a mundane life." Contemporary objects as well as works from the Muromachi, Momoyama, and Edo periods of Japan (1392-1867) and the Joseon Kingdom of Korea (1392-1910) will be featured.
The exhibition was organized by Sun Seung-hye, associate curator of Japanese and Korean Art for the Cleveland Museum of Art.
Peruse the piece here.
Korean and Japanese artists have combined visual art and poetry for centuries, using the themes of classical Chinese poetry as inspiration for calligraphy, painting, and the decorative arts.
The works in this exhibition, like the Chinese poems upon which they are based, explore the theme of "spiritual utopia and liberation from a mundane life." Contemporary objects as well as works from the Muromachi, Momoyama, and Edo periods of Japan (1392-1867) and the Joseon Kingdom of Korea (1392-1910) will be featured.
The exhibition was organized by Sun Seung-hye, associate curator of Japanese and Korean Art for the Cleveland Museum of Art.
Peruse the piece here.
Since 2001, Cleveland Public Theatre has been fostering original works by independent Northeast Ohio artists through its residency program. Titled Big [BOX], the program provides budding talent access to resources such as stage management, production staff, box office, and marketing and advertising support. For one week, artists are "given the keys to the theater" to polish their productions, culminating in a full-weekend run.
Last week, the Museum of Contemporary Art Cleveland (MOCA) figuratively broke ground on its new home at Euclid Avenue and Mayfield Road in University Circle.
Yet much like spring in Cleveland, MOCA's literal ground breaking, one hopes, isn't too far off. The 34,000-square-foot facility, which will cost nearly $27 million to build, is scheduled to begin construction within the next two months. The grand opening is slated to follow one year later.
Like other contemporary art museums, MOCA started small. In fact, the new museum represents something of a homecoming, since MOCA's original, late-1960s home was a rented house on nearby Bellflower Avenue. As modern art began to receive its due, so too did MOCA, expanding to the second floor of the Cleveland Playhouse on Carnegie, a spot that it has occupied for decades.
The new building, which was designed by London-based Foreign Office Architects (FOA), is itself a showpiece of modern architecture. Renderings of MOCA's new home show a sleek black stainless steel and glass exterior, with the luminescent, gem-like building lighting up the prominent corner at Euclid and Mayfield.
"This is the prow of the ship, the entry point into University Circle's Uptown neighborhood, and MOCA will be a beacon for something new and different," said Stuart Kohl, the co-chair of MOCA's capital campaign, at the groundbreaking.
The possibility of relocating to University Circle became real five years ago when Case Western Reserve University (CWRU), which owned the site, approached MOCA. "You don't just walk up and buy land in this unique principality," Kohl joked to supporters.
Jill Snyder, the museum's director, said that "pathological optimism" is required to make a large building project such as this one happen in the midst of a recession.
David Abbott, President of the Gund Foundation, told supporters that projects like this one are necessary for Cleveland to remain competitive in the global economy.
"Successful communities are in competition for global talent," he said. "Creating vibrant places is an essential part of recruiting and keeping talent in Northeast Ohio."
Source: Jill Snyder, Stuart Kohl, David Abbott
Writer: Lee Chilcote
Yet much like spring in Cleveland, MOCA's literal ground breaking, one hopes, isn't too far off. The 34,000-square-foot facility, which will cost nearly $27 million to build, is scheduled to begin construction within the next two months. The grand opening is slated to follow one year later.
Like other contemporary art museums, MOCA started small. In fact, the new museum represents something of a homecoming, since MOCA's original, late-1960s home was a rented house on nearby Bellflower Avenue. As modern art began to receive its due, so too did MOCA, expanding to the second floor of the Cleveland Playhouse on Carnegie, a spot that it has occupied for decades.
The new building, which was designed by London-based Foreign Office Architects (FOA), is itself a showpiece of modern architecture. Renderings of MOCA's new home show a sleek black stainless steel and glass exterior, with the luminescent, gem-like building lighting up the prominent corner at Euclid and Mayfield.
"This is the prow of the ship, the entry point into University Circle's Uptown neighborhood, and MOCA will be a beacon for something new and different," said Stuart Kohl, the co-chair of MOCA's capital campaign, at the groundbreaking.
The possibility of relocating to University Circle became real five years ago when Case Western Reserve University (CWRU), which owned the site, approached MOCA. "You don't just walk up and buy land in this unique principality," Kohl joked to supporters.
Jill Snyder, the museum's director, said that "pathological optimism" is required to make a large building project such as this one happen in the midst of a recession.
David Abbott, President of the Gund Foundation, told supporters that projects like this one are necessary for Cleveland to remain competitive in the global economy.
"Successful communities are in competition for global talent," he said. "Creating vibrant places is an essential part of recruiting and keeping talent in Northeast Ohio."
Source: Jill Snyder, Stuart Kohl, David Abbott
Writer: Lee Chilcote
Through its residency program, Big [BOX], Cleveland Public Theatre fosters original works by independent Northeast Ohio artists. Fresh Water photographer Bob Perkoski sat in on the rehearsals of two past and one upcoming production -- "Fast Forward-Rewind-Stop," "Cowboy Poet" and "Through Her Eyes" -- and prepared this engrossing pictorial feature. Please turn off cell phones before taking your seat.
rainey institute's new digs opens door for new program
The Rainey Institute recently moved a few doors down on East 55th from where it has been providing arts instruction for urban youth since the 1960s. The move has proven to be even more significant than those involved with the organization could have imagined. Since opening the 25,000-square-foot facility in the Hough neighborhood, Rainey has discovered new opportunities to bring arts offerings to its students.
One of the most significant of these is the selection of Rainey to host an intensive music program that began several years ago in Venezuela and has made its way around the world.
Lee Lazar, executive director of the Insitute, says that Rainey will be the home of a new El Sistema USA program. El Sistema started in Venezuela in the 1980s to empower disadvantaged youth through ensemble music. El Sistema USA brings this opportunity to communities around the United States.
Cleveland Orchestra violinist Isabel Trautwein recently received a one-year fellowship to study the concepts of El Sistema. After touring the new Rainey facilities, Trautwein and others involved with the project decided it would be an ideal location for the program.
Students selected for the El Sistema USA program take part in an intensive, five-day-a-week musical workshop. After several months in the program, which will begin sometime this year, the students will have the opportunity to perform at Severance Hall.
Lazar credits Rainey's new music studios, sound-proof private lesson rooms and state-of-the-art theater as being a large part of what attracted Trautwein and El Sistema to Rainey. "It's all because of the building," he says.
SOURCE: Rainey Institute
WRITER: Diane DiPiero
One of the most significant of these is the selection of Rainey to host an intensive music program that began several years ago in Venezuela and has made its way around the world.
Lee Lazar, executive director of the Insitute, says that Rainey will be the home of a new El Sistema USA program. El Sistema started in Venezuela in the 1980s to empower disadvantaged youth through ensemble music. El Sistema USA brings this opportunity to communities around the United States.
Cleveland Orchestra violinist Isabel Trautwein recently received a one-year fellowship to study the concepts of El Sistema. After touring the new Rainey facilities, Trautwein and others involved with the project decided it would be an ideal location for the program.
Students selected for the El Sistema USA program take part in an intensive, five-day-a-week musical workshop. After several months in the program, which will begin sometime this year, the students will have the opportunity to perform at Severance Hall.
Lazar credits Rainey's new music studios, sound-proof private lesson rooms and state-of-the-art theater as being a large part of what attracted Trautwein and El Sistema to Rainey. "It's all because of the building," he says.
SOURCE: Rainey Institute
WRITER: Diane DiPiero
Artist Nicolette Capuano has spent the past year painstakingly restoring the ornate plaster trim and low relief sculptures in the Tudor Arms building.
Yet she's doing more than simply recreating the past; she has worked closely with building owner Rick Maron and designer Cindy Rae Cohen to create her own masterpieces -- original, hand-painted murals -- that will grace the landmark structure.
"We wanted to highlight the beauty of this historic building while adding a more contemporary touch," says Capuano, who started her company, Beyond the Wall Mural Design, after graduating from Columbus College of Art and Design in 2005.
"Blending the historic and contemporary is definitely a trend in interior design these days," Capuano adds. "We wanted to create something that felt somewhat timeless."
In April, MRN Ltd. will complete a $22 million restoration of the Tudor Arms building, converting it to a new 154-room Double Tree Hotel. The vestibule that Capuano restored will be the hotel's main entrance, while the rejuvenated ballrooms will be used for special events. (See comprehensive Tudor Arms feature in next week's Fresh Water.)
In addition to the mural restoration, Capuano also helped repair the building's one-of-a-kind plaster work where it was damaged or missing pieces. This labor-intensive process required making custom molds, recreating each piece by hand, and patching it in.
When she couldn't find the color she wanted for the trim, Capuano created one from scratch.
"The Tudor umber that we used to glaze the plaster work was hand-mixed," says Capuano. "I went through all of the Sherwin-Williams colors, but I couldn't find exactly what we wanted. I'm a perfectionist, so I kept mixing colors until I got it right."
Source: Nicolette Capuano
Writer: Lee Chilcote
Yet she's doing more than simply recreating the past; she has worked closely with building owner Rick Maron and designer Cindy Rae Cohen to create her own masterpieces -- original, hand-painted murals -- that will grace the landmark structure.
"We wanted to highlight the beauty of this historic building while adding a more contemporary touch," says Capuano, who started her company, Beyond the Wall Mural Design, after graduating from Columbus College of Art and Design in 2005.
"Blending the historic and contemporary is definitely a trend in interior design these days," Capuano adds. "We wanted to create something that felt somewhat timeless."
In April, MRN Ltd. will complete a $22 million restoration of the Tudor Arms building, converting it to a new 154-room Double Tree Hotel. The vestibule that Capuano restored will be the hotel's main entrance, while the rejuvenated ballrooms will be used for special events. (See comprehensive Tudor Arms feature in next week's Fresh Water.)
In addition to the mural restoration, Capuano also helped repair the building's one-of-a-kind plaster work where it was damaged or missing pieces. This labor-intensive process required making custom molds, recreating each piece by hand, and patching it in.
When she couldn't find the color she wanted for the trim, Capuano created one from scratch.
"The Tudor umber that we used to glaze the plaster work was hand-mixed," says Capuano. "I went through all of the Sherwin-Williams colors, but I couldn't find exactly what we wanted. I'm a perfectionist, so I kept mixing colors until I got it right."
Source: Nicolette Capuano
Writer: Lee Chilcote
At a public meeting held last week at Market Avenue Wine Bar, planners showed off designs for the future Market Square Park, an Ohio City park slated to receive a $1.5 million makeover this year from the city.
"We hope the new Market Square Park will become the de facto outdoor dining room for the West Side Market," says Ben Trimble, Program Manager with the Ohio City Near West Development Corporation (OCNW). Trimble says the park, located at the corner of Lorain and West 25th, will complement the redevelopment taking place elsewhere in the area.
Plans for revamping the park, which was completed in 1979, date back to at least 2004. OCNW selected it as a candidate for overhaul because of its dated design, lack of connection to the commercial district, and a perception that the park is unsafe.
The park, which was the original site for the West Side Market before the current building was constructed in 1912, has been a focus area for OCNW. The nonprofit helps to coordinate Open Air in Market Square, an outdoor bazaar that takes place on Saturdays throughout the summer, as well as other park programs.
When construction wraps up this fall, Trimble says the park will have "harvest tables" with bench seating, rows of new trees, public artwork with an "orchard ladder" theme defining the park's entranceway, attractive brick pavers, and an elevated stage that will be used for live music, outdoor movies, and other public performances.
Attractive new bus shelters will also be installed outside of Market Square Park. Parkworks and Cleveland Public Art, two nonprofit groups that worked on the park's redesign, say the bus shelters will be well-used. The Lorain and West 25th intersection has the second highest use of any transit waiting area in the city, second only to Public Square.
Source: Ben Trimble
Writer: Lee Chilcote
"We hope the new Market Square Park will become the de facto outdoor dining room for the West Side Market," says Ben Trimble, Program Manager with the Ohio City Near West Development Corporation (OCNW). Trimble says the park, located at the corner of Lorain and West 25th, will complement the redevelopment taking place elsewhere in the area.
Plans for revamping the park, which was completed in 1979, date back to at least 2004. OCNW selected it as a candidate for overhaul because of its dated design, lack of connection to the commercial district, and a perception that the park is unsafe.
The park, which was the original site for the West Side Market before the current building was constructed in 1912, has been a focus area for OCNW. The nonprofit helps to coordinate Open Air in Market Square, an outdoor bazaar that takes place on Saturdays throughout the summer, as well as other park programs.
When construction wraps up this fall, Trimble says the park will have "harvest tables" with bench seating, rows of new trees, public artwork with an "orchard ladder" theme defining the park's entranceway, attractive brick pavers, and an elevated stage that will be used for live music, outdoor movies, and other public performances.
Attractive new bus shelters will also be installed outside of Market Square Park. Parkworks and Cleveland Public Art, two nonprofit groups that worked on the park's redesign, say the bus shelters will be well-used. The Lorain and West 25th intersection has the second highest use of any transit waiting area in the city, second only to Public Square.
Source: Ben Trimble
Writer: Lee Chilcote
cle orchestra kills at carnegie
James R. Oestreich, writing for The New York Times, reviewed the Cleveland Orchestra's recent performances at Carnegie Hall. The two concerts were part of the Cleveland Orchestra's two-week American tour, which also included a three-day residency at Indiana University, a brief stay in Florida, and an impromptu jam session in an Ann Arbor pizza shop.
Oestreich's review is altogether positive, placing particular emphasis on conductor Franz Welser-Möst's restraint, especially in directing Debussy's "Prelude to the Afternoon of a Faun" and Toshio Hosokawa's "Woven Dreams." Oestreich states, "No successful conductor lacks ego, but Mr. Welser-Möst makes remarkably little show of it. The word restraint keeps coming to mind: a restraint that, in manner, can make him seem boyishly appealing if sometimes inscrutable; a restraint that, musically, can serve him so well."
The orchestra's performance of Strauss's "Heldenleben" was another standout. "The orchestra gloried in the work's brilliant and kaleidoscopic sonorities and produced powerful heft, with shining woodwinds and brasses, without letting the sound turn blowsy. William Preucil, the concertmaster, performed the violin solos beautifully as well as playing an obvious role in keeping the whole spectacle together. Not that Mr. Welser-Möst needed much help with a band clearly responsive to his every gesture."
Read the entire score here.
Oestreich's review is altogether positive, placing particular emphasis on conductor Franz Welser-Möst's restraint, especially in directing Debussy's "Prelude to the Afternoon of a Faun" and Toshio Hosokawa's "Woven Dreams." Oestreich states, "No successful conductor lacks ego, but Mr. Welser-Möst makes remarkably little show of it. The word restraint keeps coming to mind: a restraint that, in manner, can make him seem boyishly appealing if sometimes inscrutable; a restraint that, musically, can serve him so well."
The orchestra's performance of Strauss's "Heldenleben" was another standout. "The orchestra gloried in the work's brilliant and kaleidoscopic sonorities and produced powerful heft, with shining woodwinds and brasses, without letting the sound turn blowsy. William Preucil, the concertmaster, performed the violin solos beautifully as well as playing an obvious role in keeping the whole spectacle together. Not that Mr. Welser-Möst needed much help with a band clearly responsive to his every gesture."
Read the entire score here.
Verb Ballets, a national repertory dance company based in Cleveland Heights, is planning to expand this year to a larger space in a Shaker Heights church.
The city of Shaker Heights will provide a $10,000 job creation grant to the dance company to facilitate their move to the basement of Christ Episcopal Church on Warrensville Center road. Shaker Heights has recently gained attention for its proactive efforts to recruit new commercial tenants to the city, which has historically had a largely residential tax base.
The grant will be used to defray moving expenses and purchase equipment. Verb Ballets has negotiated a five-year lease with Christ Episcopal Church, where the basement will serve as an office, studio and future black box theatre.
Phase I of the project will include construction of the studio and offices. Verb Ballets anticipates being able to generate additional income from tuitions and rentals to independent artists.
Phase II of the project calls for theatrical lighting equipment, sound board, stage and seating area. This black box space will then be used for Verb Ballets performances, and also leased to other artists for performance use. Verb Ballets expects Phase I to be completed this year. There is no timeline yet for Phase II.
Income tax revenues from Verb Ballets' new Shaker Heights location are expected to repay the $10,000 job creation grant in a little over two years, according to the city of Shaker Heights.
This season, Verb Ballets will perform at Cleveland Public Theatre and St. Ignatius High School. The dance company has also performed at Cain Park.
Source: The City of Shaker Heights
Writer: Lee Chilcote
The city of Shaker Heights will provide a $10,000 job creation grant to the dance company to facilitate their move to the basement of Christ Episcopal Church on Warrensville Center road. Shaker Heights has recently gained attention for its proactive efforts to recruit new commercial tenants to the city, which has historically had a largely residential tax base.
The grant will be used to defray moving expenses and purchase equipment. Verb Ballets has negotiated a five-year lease with Christ Episcopal Church, where the basement will serve as an office, studio and future black box theatre.
Phase I of the project will include construction of the studio and offices. Verb Ballets anticipates being able to generate additional income from tuitions and rentals to independent artists.
Phase II of the project calls for theatrical lighting equipment, sound board, stage and seating area. This black box space will then be used for Verb Ballets performances, and also leased to other artists for performance use. Verb Ballets expects Phase I to be completed this year. There is no timeline yet for Phase II.
Income tax revenues from Verb Ballets' new Shaker Heights location are expected to repay the $10,000 job creation grant in a little over two years, according to the city of Shaker Heights.
This season, Verb Ballets will perform at Cleveland Public Theatre and St. Ignatius High School. The dance company has also performed at Cain Park.
Source: The City of Shaker Heights
Writer: Lee Chilcote
cleveland museum sells off 'non-essential' works
"The Cleveland Museum of art did better than expected in the largest sale of works from its collection in a half century -- roughly 45 percent better," says Plain Dealer writer Steven Litt.
The museum auctioned off several items from its collection deemed nonessential in order to improve its Old Master paintings collection. The auction, held last week at Sotheby's New York, was titled "Important Old Master Paintings."
According to Litt, the museum offered 32 paintings at prices estimated to bring between $706,000 and $1,022,000. The museum earned approximately $450,000 more than the highest estimate.
Among the items sold were "Dune Landscape with Figures" by the 17th century Dutch painter Philips Wouwerman. Estimated at $100,000 to $150,000, it sold for $446,500. A pair of 18th-century paintings depicting an ancient Roman battle were estimated to sell for $200,000 to $300,000. The sale price with premium was $482,500.
"We were pleased to be swept along by a generally enthusiastic group of buyers and stronger than expected sales across many lots," C. Griffith Mann, the museum's chief curator, told Litt. "Things went within or beyond the estimates."
Read the rest of the story here.
The museum auctioned off several items from its collection deemed nonessential in order to improve its Old Master paintings collection. The auction, held last week at Sotheby's New York, was titled "Important Old Master Paintings."
According to Litt, the museum offered 32 paintings at prices estimated to bring between $706,000 and $1,022,000. The museum earned approximately $450,000 more than the highest estimate.
Among the items sold were "Dune Landscape with Figures" by the 17th century Dutch painter Philips Wouwerman. Estimated at $100,000 to $150,000, it sold for $446,500. A pair of 18th-century paintings depicting an ancient Roman battle were estimated to sell for $200,000 to $300,000. The sale price with premium was $482,500.
"We were pleased to be swept along by a generally enthusiastic group of buyers and stronger than expected sales across many lots," C. Griffith Mann, the museum's chief curator, told Litt. "Things went within or beyond the estimates."
Read the rest of the story here.
new MOCA museum attracts early buzz
A recent Wall Street Journal article on the spectacular designs of architect Rem Koolhaas and his followers also mentions plans for the innovative new MOCA Cleveland museum. The building is described as having "triangular facades that, from certain angles, allow luminescent peeks at the museum's interior."
The new MOCA museum was designed by Foreign Office Architects (FOA), an offshoot of Koolhaas' Office for Metropolitan Architecture (OMA). OMA is responsible for some of the most remarkable buildings of recent years, including the Seattle Central Library and the CCTV headquarters in Beijing.
The article also mentions other projects designed by architects who trained at Koolhaas' firm, including the Balancing Barn in England and the Hua Qiang Bei Road in Shenzhen, China.
Read the full article here.
The new MOCA museum was designed by Foreign Office Architects (FOA), an offshoot of Koolhaas' Office for Metropolitan Architecture (OMA). OMA is responsible for some of the most remarkable buildings of recent years, including the Seattle Central Library and the CCTV headquarters in Beijing.
The article also mentions other projects designed by architects who trained at Koolhaas' firm, including the Balancing Barn in England and the Hua Qiang Bei Road in Shenzhen, China.
Read the full article here.
Billed as an outdoor music and arts festival, Brite Winter Festival is proof that you can indeed have fun in Cleveland, in February, out of doors. This year's dazzling array of temptations includes nine holes of snow mini golf, 24 feet of alfresco skeeball, ski-mounted bicycles, wall-to-wall music and white-hot gourmet food trucks.
Viktor Schreckengost, a nationally-heralded designer that put Cleveland on the map for industrial design, will soon have his own museum at the Tower Press Building, just east of downtown Cleveland. The museum is scheduled to open in April or May.
The nonprofit Viktor Schreckengost Foundation recently signed a lease on a 2,450-square-foot space on the first floor of Tower Press, a former factory at 1900 Superior Avenue that was turned into loft apartments, artist studios and offices a decade ago.
The museum's goal is to celebrate Schrekengost's career as an industrial designer, as well as Cleveland's history as a center for industrial design. Schreckengost, who died in 2008 at age 101, designed a vast array of consumer goods, from trucks and bicycles to chairs, printing presses and gas stations.
Schreckengost also founded the industrial design department at the Cleveland Institute of Art (CIA). He taught thousands of students there during his lifetime, many of whom became influential designers and artists in their own right.
Karen Perkowski, co-owner of Tower Press, has followed and collected Schreckengost's work for years before landing the museum in her building. She first developed a friendship with Schreckengost after he stopped in one day at the Artefino Café, a coffee and sandwich shop located in her building.
"I asked if we could name a sandwich after him and he agreed," says Perkowski. The Schreckengost is a ham-and-Swiss sandwich with horseradish.
The museum will display a collection of Schreckengost's designs that are now in storage at Cleveland State University (CSU). Admission will be free. The Schreckengost Foundation has said that part of the museum's purpose is to spur interest from manufacturers in creating products based on the artist's original designs.
While the museum will celebrate a piece of Cleveland's past, its creators also hope to connect it to the city's future. They want to tie it to an initiative by CIA and CSU to create a district of design on Euclid Avenue that will promote Cleveland as a hub for furniture manufacturers and other design companies.
Source: Karen Perkowski
Writer: Lee Chilcote
The nonprofit Viktor Schreckengost Foundation recently signed a lease on a 2,450-square-foot space on the first floor of Tower Press, a former factory at 1900 Superior Avenue that was turned into loft apartments, artist studios and offices a decade ago.
The museum's goal is to celebrate Schrekengost's career as an industrial designer, as well as Cleveland's history as a center for industrial design. Schreckengost, who died in 2008 at age 101, designed a vast array of consumer goods, from trucks and bicycles to chairs, printing presses and gas stations.
Schreckengost also founded the industrial design department at the Cleveland Institute of Art (CIA). He taught thousands of students there during his lifetime, many of whom became influential designers and artists in their own right.
Karen Perkowski, co-owner of Tower Press, has followed and collected Schreckengost's work for years before landing the museum in her building. She first developed a friendship with Schreckengost after he stopped in one day at the Artefino Café, a coffee and sandwich shop located in her building.
"I asked if we could name a sandwich after him and he agreed," says Perkowski. The Schreckengost is a ham-and-Swiss sandwich with horseradish.
The museum will display a collection of Schreckengost's designs that are now in storage at Cleveland State University (CSU). Admission will be free. The Schreckengost Foundation has said that part of the museum's purpose is to spur interest from manufacturers in creating products based on the artist's original designs.
While the museum will celebrate a piece of Cleveland's past, its creators also hope to connect it to the city's future. They want to tie it to an initiative by CIA and CSU to create a district of design on Euclid Avenue that will promote Cleveland as a hub for furniture manufacturers and other design companies.
Source: Karen Perkowski
Writer: Lee Chilcote
cma one of '10 best museums for families'
The Cleveland Museum of Art was in good company in a recent AOL posting of "Top 10 Museums in the US for Families." The listing also included New York City's Met and MoMa, L.A.'s J. Paul Getty, and the Smithsonian National Air and Space Museum in Washington D.C.
"With so many choices and varieties, it can be easy to become overwhelmed with culture in the United States," announces the reporter. "In particular, families with teens and kids can become confused about which exhibits are age appropriate and when to go. Luckily, these ten museums have the exhibits and amenities that work perfectly for families and it just so happens that they're among the best collections in the country."
Of the Cleveland Museum of Art, the article states:
With such an extensive collection of works, you'd think the Cleveland Museum of Art frowned on bringing young children. However, they couldn't be happier to host the entire family and feel art can have an effect on children as young as preschool-aged. Strollers to rent are available at the front desk and an in-house café is stocked with fruits and veggies they'll love to nibble on.
Must see: Get a map and be sure to tour the names everyone in the family will know and understand. Van Gogh, Degas, Picasso... the familiarity will be a great bonding experience.
Examine the rest of the kid-friendly art here.
"With so many choices and varieties, it can be easy to become overwhelmed with culture in the United States," announces the reporter. "In particular, families with teens and kids can become confused about which exhibits are age appropriate and when to go. Luckily, these ten museums have the exhibits and amenities that work perfectly for families and it just so happens that they're among the best collections in the country."
Of the Cleveland Museum of Art, the article states:
With such an extensive collection of works, you'd think the Cleveland Museum of Art frowned on bringing young children. However, they couldn't be happier to host the entire family and feel art can have an effect on children as young as preschool-aged. Strollers to rent are available at the front desk and an in-house café is stocked with fruits and veggies they'll love to nibble on.
Must see: Get a map and be sure to tour the names everyone in the family will know and understand. Van Gogh, Degas, Picasso... the familiarity will be a great bonding experience.
Examine the rest of the kid-friendly art here.
In the so-called Internet Age, the public library has taken on a broader role. More than a place to grab a novel, photocopy a letter, or scour a thick resource book, the library has also become a hub for computer use, digital resources, and social and professional gatherings.
With this in mind, the main branch of the Cleveland Public Library (CPL) is getting a 21st-century facelift. Among the enhancements will include a centralized location for computers and technology, a first-floor display for popular and rare collections, room for community events, and a new indoor garden.
The Downtown Destination Campaign, as the $12 million redevelopment plan is being called, seeks to make the main library a center of activity and learning and to connect the library with the surrounding downtown area. The first phase involves creating Tech Central.
According to Thomas Corrigan, president of the CPL board of trustees, public-access computers are currently dispersed throughout the library. Tech Central will create a one-stop source for computers and technology, with trained staff on hand. Phase One will cost an estimated $1.2 million.
Centers for family and children's discovery, sports research and career connections will be established in the main library to encourage patrons to take full advantage of the library's offerings.
Cosmetic enhancements to the exterior and interior will also be part of the campaign, with the intent of connecting the historic library with the immediate neighborhood.
CPL was ranked one of the top five libraries in the country last year by the Library Journal.
SOURCE: CPL
WRITER: Diane DiPiero
With this in mind, the main branch of the Cleveland Public Library (CPL) is getting a 21st-century facelift. Among the enhancements will include a centralized location for computers and technology, a first-floor display for popular and rare collections, room for community events, and a new indoor garden.
The Downtown Destination Campaign, as the $12 million redevelopment plan is being called, seeks to make the main library a center of activity and learning and to connect the library with the surrounding downtown area. The first phase involves creating Tech Central.
According to Thomas Corrigan, president of the CPL board of trustees, public-access computers are currently dispersed throughout the library. Tech Central will create a one-stop source for computers and technology, with trained staff on hand. Phase One will cost an estimated $1.2 million.
Centers for family and children's discovery, sports research and career connections will be established in the main library to encourage patrons to take full advantage of the library's offerings.
Cosmetic enhancements to the exterior and interior will also be part of the campaign, with the intent of connecting the historic library with the immediate neighborhood.
CPL was ranked one of the top five libraries in the country last year by the Library Journal.
SOURCE: CPL
WRITER: Diane DiPiero
cle met zoo #1 attraction in NEO
So, what's the Number One year-round attraction in Cleveland? The Rock Hall? Cleveland Museum of Art? Old Arcade?
Nope, nope, and nope. It's the Cleveland Metroparks Zoo, which again topped one million visitors in 2010, topping that figure 18 straight years in a row.
Despite the weak economy, says a release from the Zoo, the park experienced only a two-percent drop in attendance from 2009, drawing 1,130,518 total visitors.
Big draws include the DINOSAURS! exhibit, Noon Year's Eve, and Boo at the Zoo.
Interesting figures in the report reveal that the highest single-day attendance was 22,212, on July 26. And the lowest: Monday, December 13, when just 44 visitors showed up under blizzard conditions.
"Cleveland Metroparks Zoo remains a fun, educational and affordable place to visit at any time of year," said Zoo Director Steve Taylor. "And we are poised to have our biggest year yet in 2011 with the opening of African Elephant Crossing."
Explore the full report here.
Nope, nope, and nope. It's the Cleveland Metroparks Zoo, which again topped one million visitors in 2010, topping that figure 18 straight years in a row.
Despite the weak economy, says a release from the Zoo, the park experienced only a two-percent drop in attendance from 2009, drawing 1,130,518 total visitors.
Big draws include the DINOSAURS! exhibit, Noon Year's Eve, and Boo at the Zoo.
Interesting figures in the report reveal that the highest single-day attendance was 22,212, on July 26. And the lowest: Monday, December 13, when just 44 visitors showed up under blizzard conditions.
"Cleveland Metroparks Zoo remains a fun, educational and affordable place to visit at any time of year," said Zoo Director Steve Taylor. "And we are poised to have our biggest year yet in 2011 with the opening of African Elephant Crossing."
Explore the full report here.
The Experience Lakewood
app recently launched, linking users to information on businesses,
dining, shopping and recreation in the city. The app can be downloaded
from iTunes for free on any Apple-compatible device.
While business and shopping apps are becoming more plentiful, Experience Lakewood's focus on one particular city makes it unique, according to Barb Cagley, president of Cleveland's SCK Design, which created the app for Lakewood Alive, in partnership with the Lakewood Chamber of Commerce. "Regional apps are a newer trend," she says.
Another factor setting the Experience Lakewood app apart is that the content is controlled by the individual businesses. "The common platform for apps is to pull data that is generic and available to the public or provided by the user. This twist of control by businesses allows them to update their message, specials and events in real time," Cagley says.
Creating user-, community- and business-friendly apps has become more of a focus for the six-member SCK team, which has also built a reputation in creating websites, custom content management and SEO programs for the likes of Bedford Labs and Cleveland Clinic Pharmacy. Last fall, SCK unveiled Experience Tremont. A Shop Legacy app for Legacy Village was recently released, and SCK is currently working on an Experience Kamm's Corners app.
No estimate is available on how many people may take advantage of the Experience Lakewood app. "The only data we can draw from is the Experience Tremont app," Cagley says. "After six months, over 5,000 people have downloaded it."
SOURCE: Barb Cagley
WRITER: Diane DiPiero
While business and shopping apps are becoming more plentiful, Experience Lakewood's focus on one particular city makes it unique, according to Barb Cagley, president of Cleveland's SCK Design, which created the app for Lakewood Alive, in partnership with the Lakewood Chamber of Commerce. "Regional apps are a newer trend," she says.
Another factor setting the Experience Lakewood app apart is that the content is controlled by the individual businesses. "The common platform for apps is to pull data that is generic and available to the public or provided by the user. This twist of control by businesses allows them to update their message, specials and events in real time," Cagley says.
Creating user-, community- and business-friendly apps has become more of a focus for the six-member SCK team, which has also built a reputation in creating websites, custom content management and SEO programs for the likes of Bedford Labs and Cleveland Clinic Pharmacy. Last fall, SCK unveiled Experience Tremont. A Shop Legacy app for Legacy Village was recently released, and SCK is currently working on an Experience Kamm's Corners app.
No estimate is available on how many people may take advantage of the Experience Lakewood app. "The only data we can draw from is the Experience Tremont app," Cagley says. "After six months, over 5,000 people have downloaded it."
SOURCE: Barb Cagley
WRITER: Diane DiPiero
A temporary gallery that was launched last year by the Cleveland Institute of Art (CIA) has extended its lease for the spring semester. The Visual Arts and Technology Center, dubbed "the Coventry Center" because of its location in a long-empty storefront on Coventry Road in Cleveland Heights, will enhance CIA's connections off-campus, its founder says.
"Many of our students live in the area, and Coventry has a long history of arts involvement," says Saul Ostrow, Chair of the Visual Arts and Technologies Department. "One of our goals is to bring the arts out of their academic environment, and to offer a resource for the community."
The center also shows CIA's commitment to expanding its campus boundaries and giving students opportunities to create art in a real world setting, says Ostrow. "We want to go beyond gallery walls and build ties with the community," he says.
On Friday, February 18th from 7-9 pm, the center, which is located at 1854 Coventry Road, will host a poetry and storytelling slam as part of "Cleveland Stories," a partnership between the Cleveland Urban Design Collaborative and CIA's Reinberger Galleries that seeks to "investigate the real and imagined history of Cleveland."
Future gallery events will include open studios, sidewalk art shows, and an exhibit of Cleveland charter school students' artwork to be curated by CIA students. The center will be open Friday-Sunday beginning in February.
Those who are interested in contributing urban histories -- real or imagined -- to the Cleveland Stories project can visit http://www.cudc.kent.edu for guidelines.
Source: Saul Ostrow
Writer: Lee Chilcote
"Many of our students live in the area, and Coventry has a long history of arts involvement," says Saul Ostrow, Chair of the Visual Arts and Technologies Department. "One of our goals is to bring the arts out of their academic environment, and to offer a resource for the community."
The center also shows CIA's commitment to expanding its campus boundaries and giving students opportunities to create art in a real world setting, says Ostrow. "We want to go beyond gallery walls and build ties with the community," he says.
On Friday, February 18th from 7-9 pm, the center, which is located at 1854 Coventry Road, will host a poetry and storytelling slam as part of "Cleveland Stories," a partnership between the Cleveland Urban Design Collaborative and CIA's Reinberger Galleries that seeks to "investigate the real and imagined history of Cleveland."
Future gallery events will include open studios, sidewalk art shows, and an exhibit of Cleveland charter school students' artwork to be curated by CIA students. The center will be open Friday-Sunday beginning in February.
Those who are interested in contributing urban histories -- real or imagined -- to the Cleveland Stories project can visit http://www.cudc.kent.edu for guidelines.
Source: Saul Ostrow
Writer: Lee Chilcote
This year, Cleveland film buffs will have an even better excuse to take the week off to watch movies at the 2011 Cleveland International Film Festival (CIFF).
For the first time in its 35 year history, CIFF is leasing all 11 theaters at Tower City Cinemas in Tower City Center. The expansion will accommodate the growing number of ticket-holders during the 11-day event, which will be held this year from March 24th through April 3rd.
Have you been looking forward this winter to spending one of Cleveland's bleakest months watching movies for 10 hours a day? This year, you'll have even more chances to catch your favorite flicks, says Patrick Shepherd, Associate Director of the Cleveland Film Society (CFS), the nonprofit that organizes the festival.
CIFF attendance and film entries have more than doubled since 2003, Shepherd says, providing the requisite market demand to justify leasing all 11 theaters in Tower City Cinemas. Last year's record turnout of 71,500 admissions made it possible to offer more showings of sell-out films.
"Last year, we sold a record number of stand-by tickets," Shepherd explains. "We're not increasing the number of films we're showing -- instead, we're expanding our capacity by offering more screenings, and by showing sell-out films in two theatres at once."
CIFF program guides will be available throughout Northeast Ohio during the week of February 28th. Tickets will go on sale to CIFF members on Friday, March 4th. Non-members can purchase tickets beginning on Friday, March 11th.
On top of offering patrons a chance to see films from around the world, the CIFF provides a boost to downtown Cleveland. "We are increasing our already significant economic impact on downtown," Shepherd says.
Source: Patrick Shepherd
Writer: Lee Chilcote
For the first time in its 35 year history, CIFF is leasing all 11 theaters at Tower City Cinemas in Tower City Center. The expansion will accommodate the growing number of ticket-holders during the 11-day event, which will be held this year from March 24th through April 3rd.
Have you been looking forward this winter to spending one of Cleveland's bleakest months watching movies for 10 hours a day? This year, you'll have even more chances to catch your favorite flicks, says Patrick Shepherd, Associate Director of the Cleveland Film Society (CFS), the nonprofit that organizes the festival.
CIFF attendance and film entries have more than doubled since 2003, Shepherd says, providing the requisite market demand to justify leasing all 11 theaters in Tower City Cinemas. Last year's record turnout of 71,500 admissions made it possible to offer more showings of sell-out films.
"Last year, we sold a record number of stand-by tickets," Shepherd explains. "We're not increasing the number of films we're showing -- instead, we're expanding our capacity by offering more screenings, and by showing sell-out films in two theatres at once."
CIFF program guides will be available throughout Northeast Ohio during the week of February 28th. Tickets will go on sale to CIFF members on Friday, March 4th. Non-members can purchase tickets beginning on Friday, March 11th.
On top of offering patrons a chance to see films from around the world, the CIFF provides a boost to downtown Cleveland. "We are increasing our already significant economic impact on downtown," Shepherd says.
Source: Patrick Shepherd
Writer: Lee Chilcote