In the book Retrofitting Suburbia, authors Ellen Dunham-Jones and June Williamson describe the need to retrofit new and old suburbs alike into sustainable, mixed-use areas that stem the tide of urban sprawl. Lakewood might be the region’s best example of that trend, with the city making moves to become more pedestrian and bike friendly while fostering a sense of place.

The term "Rust Belt Chic" has been bandied about in urban journalism circles for over a decade. But lately, the connotation and import of that catchy phrase seem to be taking on a welcome new identity. A book in progress from Cleveland-based writers aims to take ownership of the phrase and help define what it truly means to live in a recovering Rust Belt city.

Birdhouse Studios’ Nesl won the William McShane Fund Kickstarter project competition, taking home $25,000 and the opportunity to have the Nesl sold in Brookstone stores across the country. Nesl, which is a flexible rubber nine-fingered desk organizer with suction cups to hold it where ever you stick it, beat out two other projects in the finals.
 
“It’s been very exciting,” says Josh Dryden, who created the Nesl with partners and fellow recent Cleveland Institute of Art graduates Sam Li and Pete Whitworth. “The biggest part is being in nationwide stores at Brookstone.”
 
The contest was sponsored by Brookstone and Buckyballs. Voters could vote once a day on the contest site.
 
Birdhouse Studios recently raised $30,000 in pledges through a Kickstarter campaign before going on to win the McShane contest. The team met with their manufacturer last week and presented updated CAD files for the Nesl. “We want to start manufacturing as soon as possible,” says Dryden.
 
While the Nesl’s popularity in the voting varied over the voting period -- at one time it was in third place on the last day -- Dryden credits everyone at CIA with helping to secure the win. “We talked to everyone we could at CIA,” he says.
 
The team heads to New York this week to meet with Brookstone.

 
Source: Josh Dryden
Writer: Karin Connelly

Christopher Busta-Peck first became interested in teaching others about Cleveland's architectural history when he developed summer history programs for kids as part of his job as a children's librarian.

Too fascinated to put the material down, he soon found himself enmeshed in creating a local history and preservation blog, Cleveland Area History, that has been called the voice of history and historic preservation in Northeast Ohio.

Part of what motivates Busta-Peck is the simple notion that our area's history often lies "hidden in plain sight" between modern buildings, tucked amid neighborhoods or covered up by garish additions. He also believes historic buildings are among the competitive advantages our city should trumpet.

"We have historic buildings that set us apart from other parts of the country," he says. "It's a monetary asset we need to think of when compared to other cities."

Through working to elevate the discussion about urban history, Busta-Peck hopes to make saving Cleveland's forgotten fabric a bigger part of our civic discourse.

On Saturday, June 9th, Busta-Peck will lead a walking tour of East Cleveland in collaboration with SPACES. Among the sites on the tour are a stone tannery he touts as one of the most significant early industrial sites in Cleveland and a large, once beautiful mansion that now lies hidden behind a gas station.


Source: Christopher Busta-Peck
Writer: Lee Chilcote

Maria Blatnick owns more than 200 chairs. None of them match. Not to mention various patterns of antique china, vintage picture frames, galvanized washtubs and windows. “It really runs that gamut,” says Blatnick.

Such an eclectic collection led Blatnick to start HodgePodge Vintage Rentals, a source to rent props and accessories for weddings, events and photo shoots.
 
HodgePodge merges Blatnick’s love for unique design with her love for beautiful things. With a background in retail, she uses her styling experience to develop an eye for vintage products. Her services include rentals (delivery, set up and takedown); event and photo shoot styling; and customized searches for that perfect piece.
 
“It combines everything I’ve always done on the job,” Blatnick says of her business. “I’ve probably driven more than 150 miles at a time to the middle of nowhere. I’ve gone to a lot of antique stores, garage sales, flea markets.”
 
Weddings are popular for rentals right now, for brides looking to be different. ”I have a really large demographic,” says Blatnick. “Mostly I appeal to first-time brides ages 26-32 who want a more personalized, creative, individualized event.”
 
One of Blatnick’s current favorite themes plays on the farm-to-table trend. “My clients want a really homespun feel,” she explains. “They want a real down-home farm feeling.” Rentals to create the feel include windows, washtubs and, of course, vintage chairs.
 
Other popular rentals include books, cameras and suitcases. While Blatnick is trying to list her goods on her website, she is in the process of securing a storefront in 78th Street Studios.

 
Source: Maria Blatnick
Writer: Karin Connelly

Last summer, Cleveland Institute of Art product design students Josh Dryden, Sam Li and Pete Whitworth were tossing around ideas for a project that they could add to their portfolios. What they came up with also turned into a lesson in business.
 
Using their design knowledge, the three decided to tackle the challenge of desk clutter. After some design sketches, 3-D modeling and prototypes, they came up with The Nesl, a nine-fingered, flexible-rubber desk organizer with suction cups that hold it where ever you stick it.
 
“The idea was you can really shove anything in it -- paper, pens, phones -- whatever you have on your desk,” says Dryden.
 
The trio developed the prototype in Cleveland, and then listed it on Kickstarter to get funding. They were successful. Birdhouse Studios raised well over the $30,000 pledge goal by the time the listing closed yesterday, making it possible to continue manufacturing the Nesl and delivering it to the hundreds of backers who pledged money.
 
“It’s been a huge learning experience,” says Dryden. “We’ve learned a lot about the manufacturing process, about shipping and holding products. If the Nesl takes off, we’ll have an online store and sell other products.” Dryden, Li and Whitworth graduated earlier this month.
 
Additionally, Nesl was chosen as a contender for the William McShane Fund contest. Twelve Kickstarter companies get a shot at $25,000 startup money from Buckyballs and a product launch at Brookstone stores. The winner is chosen through Facebook votes. Nesl made it through the first round of voting and is now one of six finalists. The winner will be announced on June 1.
 

Source: Josh Dryden
Writer: Karin Connelly

As Yelp Cleveland community manager, native Northeast Ohioan Cara Lageson is a pro-Cleveland powerhouse. When she's not busy penning reviews -- she has logged in about 400 -- she connects "Yelpers" and local businesses by coordinating marketing outreach that extends well beyond the digital realm.

Thanks to game-changing, large-scale architectural efforts largely absent during the recession, Cleveland steadily is catching up to other similarly sized cities in terms of design. Long known as a "brick city," Cleveland's recent and forthcoming high-profile projects are adding progressive new materials to the mix.

Kevin Busta's trendy, neo-industrial furnishings have been written up in the New York Times and grace sleek lofts and posh living rooms all the way from New York City to Los Angeles and San Francisco.

Yet the metalworking artist, who grew up in Medina, chose W. 14th Street in Tremont to locate his showroom. Last week, he sold out of nearly all his furnishings in a single week as eight new businesses opened in the neighborhood and the monthly Art Walk kicked off the summer season.

"Cleveland is so full of everything that I really need," says Busta, a former boilermaker who was once arrested for dumpster diving at an industrial park in Medina (he got off after showing the judge photos of his high-end furniture). "New York doesn't have what Cleveland has in terms of surplus scrap metal."

Busta makes his lamps, tables and chairs out of metal that he buys at scrap yards and auctions. His tables typically sell for $4,000 and up, while a table lamp might sell for $300 to $500. Busta stresses that he does not simply repurpose scrap materials, but rather transforms the raw materials into something new.

"It's glorifying the old with a modern twist to it," he says. "It's taking what a lot of people see every day driving through industrial parks and changing the way people look at these old, industrial remnants by glorifying rust."


Source: Kevin Busta
Writer: Lee Chilcote

Weapons of Mass Creation Fest, an annual gathering of Cleveland creative types now in its third year, is returning like a blockbuster summer sequel to the Gordon Square Arts District from June 8 through 10. Organizers expect over 1,000 attendees to register, adding to the weekend excitement already taking place in the Detroit Shoreway neighborhood.

The conference, which will feature 20 speakers, 20 designers, and 30 bands on two different stages near W. 54th and Detroit, coincides with Gordon Square Arts District Day, a neighborhood-wide celebration on Saturday, June 9.

"One of my goals was to make Cleveland a destination, to make it a creative powerhouse," says Jeff Finley of Go Media, creator of WMC Fest. "When people think of creative places in the U.S., I want them to think of Cleveland."

WMC Fest is helping to achieve that goal by fostering connections among Cleveland's creative community and bringing in speakers and attendees from outside the region. "Some of the speakers from last year are coming back, and that speaks volumes about the attraction we're building here," Finley says.

This year's WMC Fest will incorporate Saigon Plaza as a kind of headquarters for the event, allowing for even more music and a more compact event experience. Finley hopes to expose attendees to the Gordon Square Arts District, which he says is a prime example of a neighborhood that nurtures creativity.

Tickets to the WMC Fest cost only $60, thanks to company sponsorships and fundraising by Go Media, making it one of the most affordable events in town.


Source: Jeff Finley
Writer: Lee Chilcote

Is 2012 the year of the collective? Based on the DIY art spaces that are springing up across the city, it would certainly seem like a trend-in-the-making.

BuckBuck, a new collaborative art space that is located in a former auction house, is the latest creative hotspot to join the list. Founders Joe Lanzilotta and Derek Maxfield are recent college graduates who started the gallery and co-op style workspace after obtaining fine arts and graphic design degrees from Ohio University and being faced with a tight job market.

Yet the founders' desire to start their own creative space went beyond their dim job prospects, Lanzilotta says. They began hunting for cool, affordable space because they wanted to do their own thing and shape their own destiny.

"We wanted a spot we could build our own reputation from," says Lanzilotta, who seized the 5,700-square-foot space at 3910 Lorain Avenue after the sympathetic landlord enticed them with a couple months free rent and an affordable lease rate. "After I completed an internship in Chicago, I had the feeling that I really wanted to come back to Cleveland and create something on my own."

BuckBuck recently hosted its first art show in the newly-created gallery -- its founders literally erected walls and hung artwork with only a few weeks notice -- during this year's Palookafest event. The annual chili cook-off and competition was created by Ian P.E., the owner of Palookaville Chili, which opened in an adjacent storefront in early 2011.

Thanks to a proliferation of cheap, available storefronts on Lorain, Lanzilotta says that a small creative community is springing up. Recently, a furniture maker moved in next door, and there is also a new tattoo shop across the street.


Source: Joe Lanzilotta
Writer: Lee Chilcote