Cleveland Institute of Art professor Doug Paige is showing students how to take a page out of Mother Nature's playbook when it comes to industrial design.

From the reclamation of the Henninger Landfill to saving a Russell Township farm, the Western Reserve Land Conservancy fosters thriving urban centers, green space and more by preserving some 5,000 acres annually.
 

Andria Hickey, MOCA's new senior curator, has "hit the ground running," coordinating an event apropos of the swirling political season - with a host of other exhibits to follow in 2017.

From an anthropomorphic aardvark to a golden guy named Oscar, the venerable CIA is brimming with surprises of fine art, pop culture and a heaping helping of quirk.

In this special op-ed for Fresh Water, Brandon Chrostowski, founder of EDWINS Leadership & Restaurant Institute, gives Clevelanders powerful and sobering reminders on the heels of the city's remarkable summer of 2016.
 

With a new show at the Cleveland Botanical Garden, Cleveland Heights artist Seth Chwast further establishes himself in the local art scene. That he was diagnosed with autism when he was a toddler only underscores his achievements.

This week marks Fresh Water's sixth birthday and to celebrate, managing photographer Bob Perkoski visually catalogs a few things that came along after our humble inception.
 

The Museum of Contemporary Art Cleveland (MOCA) reopened its doors last Friday after a short hiatus following the wildly successful Myopia exhibit. While completely different in tone from the Mark Mothersbaugh show, the new installations reflect a unique and unexpected study in contrast that stimulates every sense.
 
Visitors are well advised to start at the top, as it were, in MOCA's fourth floor galleries, wherein Wall to Wall: Carpets by Artists unfurls. The contents are aptly described by the title – these are carpets, which sounds mundane at first blush. The content is anything but, with lush and gorgeous images that are beautifully served by the textile medium.
 
A sampling of the 30 works: Faig Ahmed's Oiling (2012) literally melts the concept of a traditional middleeastern rug design while Deep Purple, Red Shoes (Polly Apfelbaum, 2015), invites visitors to walk upon it, provided they remove their shoes. Nautilus shells notwithstanding, Infinite Carpet (Pierre Bismuth, 2008) recalls the golden rectangle. And speaking of arithmetic, Joseph Kosuth's L.W. (Remarks on the Foundations of Mathematics), 2015, will have viewers indeed believing that "2 + 2 + 2 are 4."
 
Traveling to the next component of the 2016 show sounds benign enough, but – as regular visitors have come to expect – MOCA's Stair A refracts the experience. While attendees navigate the twisting stairs, Anthony Discenza's audio installation A Rising Tide Lifts All Boats advises them thusly:
 
"Think Suicide Girls meets the Pillsbury Dough Boy."
 
"Think Baywatch meets the Cuban Missile Crisis."
 
"Think Jersey Shore meets Stephen King."
 
The deep resonant voice, which is fitting of any voice-over John Q. Public is fed by media sources at every turn, is so convincing, attendees may indeed be inclined to plop down and listen to every suggestion within the 23-minute installation.
 
"Think art deco meets Jurassic Park."

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As part of our Grassroots Success series, Fresh Water takes a closer look at the "Step Up to UH" program, which aims to connect prospective local employees to jobs at University Hospitals

This weekend, area zinesters, art aficionados and anyone fond of old school print is invited to browse more than 50 exhibitors from near and far at BOUND, the Museum of Contemporary Art (MOCA) Cleveland's second annual art book and zine fair.
 
Free and open to the public, BOUND will take place in Gund Commons on the museum's first floor on Friday, Aug. 26, from 5 to 10 p.m. and on Saturday, Aug. 27, from 11 a.m. to 5 p.m. Attendees will have a chance to meet and interact with booksellers, artists, photographers, poets and independent publishers from Northeast Ohio as well as from points across the country. All of them will be offering limited edition art books and zines at affordable prices. In addition, a reduced $5 admission includes access to the MOCA galleries as well as all the programming and talks associated with BOUND. There will also be live music on Friday and DJs spinning tunes on Saturday.

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Cleveland Institute of Art's Biomedical Arts program provides a unique and critically important component to healthcare institutes both local and national.

Cuyahoga County's population utilizes arts and culture in a variety of ways, from museums and theaters to smaller community festivals and neighborhood events. Recently released findings from Cuyahoga Arts & Culture (CAC) show just how connected residents are to the region's arts offerings.
 
CAC's 2015 Report from the Community shares stories of county residents impacted by the 210 organizations CAC funded in 2015. Self-reported data from these groups revealed more than $383 million arts-related expenditures county-wide, including upwards of $158 million in salaries to 10,000 employees.
 
Other key statistics from the report include:
 
* 50 percent of CAC-supported programs had free admission in 2015
 
* Nearly 6.9 million people were served by arts programming last year, including 1.5 million children
 
"The report provides good evidence of the story we're telling," says Karen Gahl-Mills, CEO and executive director of CAC. "Arts and culture is having a huge impact on Cuyahoga County."
 
Nor are culture lovers only visiting conventional venues like the ballet or a gallery, notes Gahl-Mills. Nature and science organizations, community gardens and other non-traditional entities are attracting crowds through their own arts-infused efforts.
 
"It's not just big institutions; we're shining a light on smaller organizations," Gahl-Mills says. "There's extraordinary variety."
 
This year's report also relates the experiences of community members impacted by arts and culture. One featured resident is Patty Edmonson, an employee at the Cleveland History Center, who returned to the region to curate the center's 13,000 dresses and 40,000 textile objects.
 
"Residents are the ones who benefit from the dollars we invest," says Gahl-Mills. "We use tax dollars to support the arts, so we need dialogue with the public to understand what work we can do."
 
This summer, CAC has been visiting festivals and events to get further feedback from the community. The undertaking includes "street teams" going out to barbershops and farmer's markets and asking folks what inspires them about the arts. Gahl-Mills says public funding for the arts is a key facet in making Cuyahoga County a vibrant, attractive place to live.
 
"People care about the arts and we need to hear from them," she says. "The more we know, the better grantmaker we can be."