Downtown
Before it closed its doors in 2006, the Odeon Concert Club was a famous Flats entertainment venue that once hosted such eclectic acts as Nine Inch Nails, Björk and the Ramones. This spring, the sound of rock music will be shaking the walls of the East Bank club once more.
The Odeon is scheduled for a grand reopening on May 1st, in the same 1,100-capacity spot it held in the old Flats. Cleveland-based heavy metal group Mushroomhead will headline the event, kicking off what owner Mike Tricarichi believes can be a new era for the much loved rock landing place.
"I don't know if people are going to expect a nostalgia trip or whatever," says Tricarichi. "This is going to be a destination compatible with what's forecast to be on the street with the (Flats East Bank) project."
The Odeon's interior is getting revamped for its new iteration, Tricarichi notes. Though the room's basic design will remain unchanged, a new sound and lighting system will be installed. In addition, inside walls will be painted and the club's infamously grotty bathrooms will get an overhaul.
"Everything's going to be fresh," says Tricarichi. "We're trying to make people more comfortable."
Tricarichi, president of Las Vegas-based real estate company Telecom Acquisition Corp., owns both the Odeon and Roc Bar, a 250-capacity club located nearby on Old River Road. He bought the Odeon building in 2007, one year after it shut its doors. The decision to reopen Odeon came in light of early success Tricarichi has had booking acts at Roc Bar, which itself reopened in December.
"We opened Roc expecting it to bring people down here, and it did," Tricarichi says.
Along with Mushroomhead, the Odeon has set a date for a Puddle of Mudd show and is working on bringing in horror punk act the Misfits for an appearance. Tricarichi, who spends part of his time in Las Vegas booking hotel shows, also expects to host comic acts at the refurbished Cleveland club.
"I've produced Andrew Dice Clay shows in Vegas, and he wants to play here," he says.
As Tricarichi owns the building, he views re-opening the Odeon as a worthy, low-risk experiment that can be a key component of a revitalized Flats entertainment scene.
"It's a stepping stone," he says. "We can be a piece of what's happening down there."
The Odeon is scheduled for a grand reopening on May 1st, in the same 1,100-capacity spot it held in the old Flats. Cleveland-based heavy metal group Mushroomhead will headline the event, kicking off what owner Mike Tricarichi believes can be a new era for the much loved rock landing place.
"I don't know if people are going to expect a nostalgia trip or whatever," says Tricarichi. "This is going to be a destination compatible with what's forecast to be on the street with the (Flats East Bank) project."
The Odeon's interior is getting revamped for its new iteration, Tricarichi notes. Though the room's basic design will remain unchanged, a new sound and lighting system will be installed. In addition, inside walls will be painted and the club's infamously grotty bathrooms will get an overhaul.
"Everything's going to be fresh," says Tricarichi. "We're trying to make people more comfortable."
Tricarichi, president of Las Vegas-based real estate company Telecom Acquisition Corp., owns both the Odeon and Roc Bar, a 250-capacity club located nearby on Old River Road. He bought the Odeon building in 2007, one year after it shut its doors. The decision to reopen Odeon came in light of early success Tricarichi has had booking acts at Roc Bar, which itself reopened in December.
"We opened Roc expecting it to bring people down here, and it did," Tricarichi says.
Along with Mushroomhead, the Odeon has set a date for a Puddle of Mudd show and is working on bringing in horror punk act the Misfits for an appearance. Tricarichi, who spends part of his time in Las Vegas booking hotel shows, also expects to host comic acts at the refurbished Cleveland club.
"I've produced Andrew Dice Clay shows in Vegas, and he wants to play here," he says.
As Tricarichi owns the building, he views re-opening the Odeon as a worthy, low-risk experiment that can be a key component of a revitalized Flats entertainment scene.
"It's a stepping stone," he says. "We can be a piece of what's happening down there."
Brian Schaffran has been riding motorcycles for 15 years, starting with a 1978 Honda CB750 he found on the side of the road in his hometown of Strongsville. He quickly fell in love, not just with the romantic notion of riding itself, but with the restoration and maintenance required to make his baby street-ready.
"There's a gratifying aspect to fixing something with your own hands," says Schaffran, 43.
A mechanical-minded DIY attitude is something Schaffran aims to impart with Skidmark Garage, a 2,800-square foot space for riders to roll in and work on their choppers, crotch rockets, hogs or other hotrodding euphemism of choice.
The garage, located in the Hildebrandt Building on the corner of Clark Avenue and Fulton Road in downtown Cleveland, will rent out tools, lifts and storage bays to motorcycle enthusiasts. If all goes well, the space will also create a community of folks to share advice, spare parts and perhaps a beer or two while they maintain their rides.
"I'm not a mechanic," says Schaffran, a former history and computer teacher at Saint Martin de Porres High School. "I'm providing a place to hang out and work on your bike."
Although the space is open for business, its owner is preparing for a grand opening celebration scheduled for May 2. Schaffran hopes to draw not just current riders, but people from surrounding city neighborhoods who don't yet own a motorcycle as apartment life leaves them few storage options.
"My average customer will probably be a guy in his 20s who bought some used piece of junk and doesn't have anywhere to put it," says Schaffran.
The bike-loving entrepreneur has been sitting on the idea for a community fix-it clubhouse since he himself was in his 20s. Living in Los Angeles at the time, Schaffran would borrow tools from friendly mechanics and tinker with his vehicles at home.
"Friends would come over and work in my garage, too," he says. "I thought how cool it would be to have a place with a couple of lifts for people to work on their vehicles."
Schaffran has excitedly expanded that picture in his head now that it's becoming closer to reality. "I can see a garage full of 10 or 15 guys helping each other out and fixing their bikes, no matter what time of day, then leaving here feeling like they accomplished something huge," he says.
"There's a gratifying aspect to fixing something with your own hands," says Schaffran, 43.
A mechanical-minded DIY attitude is something Schaffran aims to impart with Skidmark Garage, a 2,800-square foot space for riders to roll in and work on their choppers, crotch rockets, hogs or other hotrodding euphemism of choice.
The garage, located in the Hildebrandt Building on the corner of Clark Avenue and Fulton Road in downtown Cleveland, will rent out tools, lifts and storage bays to motorcycle enthusiasts. If all goes well, the space will also create a community of folks to share advice, spare parts and perhaps a beer or two while they maintain their rides.
"I'm not a mechanic," says Schaffran, a former history and computer teacher at Saint Martin de Porres High School. "I'm providing a place to hang out and work on your bike."
Although the space is open for business, its owner is preparing for a grand opening celebration scheduled for May 2. Schaffran hopes to draw not just current riders, but people from surrounding city neighborhoods who don't yet own a motorcycle as apartment life leaves them few storage options.
"My average customer will probably be a guy in his 20s who bought some used piece of junk and doesn't have anywhere to put it," says Schaffran.
The bike-loving entrepreneur has been sitting on the idea for a community fix-it clubhouse since he himself was in his 20s. Living in Los Angeles at the time, Schaffran would borrow tools from friendly mechanics and tinker with his vehicles at home.
"Friends would come over and work in my garage, too," he says. "I thought how cool it would be to have a place with a couple of lifts for people to work on their vehicles."
Schaffran has excitedly expanded that picture in his head now that it's becoming closer to reality. "I can see a garage full of 10 or 15 guys helping each other out and fixing their bikes, no matter what time of day, then leaving here feeling like they accomplished something huge," he says.
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Read the full story here.
Read the full story here.
Growing up, Erin Slater was a sticker fanatic “I have fond memories of trading stickers with my neighbor and friend,” she recalls. Little did she know, that childhood passion would turn into a business model as an adult.
Earlier this month Slater launched Fayvel, a line of colorful children’s shoes made with a blank canvas. The kids can then attach Frieze Tags –embroidered patches with industrial Velcro backings in a variety of themes. The Frieze Tags can easily be attached to and removed from the shoes and traded with friends. The tags are available in themes, from fairies and superheroes to sports and outer space.
“Kids personalize the shoes and it encourages creativity,” says Slater, who has a background in product management and two daughters, aged five and seven. “It’s injecting personality into their shoes.”
Slater came up with the idea eight years ago. She spent countless hours researching her idea through the U.S. Patent and Trademark Office at the Cleveland Public Library. “I spent a lot of time on the seventh floor of the library downtown,” she says. “The librarians are trained and use the same databases as the USPTO to research my idea.”
Slater then leased co-working space at LaunchHouse before recently moving to an office in Beachwood. “I wanted to work in shared space,” she says. “They have great internet and white board space, and Dar Caldwell had great advice.”
Slater chose the name “Fayvel,” which means "bright one" in Yiddish because the term resonated with the brand's concept of empowering kids to personalize their shoes and harness their imaginations for creativity.
While the shoes are currently available through the Fayvel site, Slater has talked to major retailers about carrying the brand. The shoes are available in sizes 10 through two and will be available in kids’ sizes three and four in May. The Frieze Tags come in sets out four around 10 different themes, with more on the way.
Earlier this month Slater launched Fayvel, a line of colorful children’s shoes made with a blank canvas. The kids can then attach Frieze Tags –embroidered patches with industrial Velcro backings in a variety of themes. The Frieze Tags can easily be attached to and removed from the shoes and traded with friends. The tags are available in themes, from fairies and superheroes to sports and outer space.
“Kids personalize the shoes and it encourages creativity,” says Slater, who has a background in product management and two daughters, aged five and seven. “It’s injecting personality into their shoes.”
Slater came up with the idea eight years ago. She spent countless hours researching her idea through the U.S. Patent and Trademark Office at the Cleveland Public Library. “I spent a lot of time on the seventh floor of the library downtown,” she says. “The librarians are trained and use the same databases as the USPTO to research my idea.”
Slater then leased co-working space at LaunchHouse before recently moving to an office in Beachwood. “I wanted to work in shared space,” she says. “They have great internet and white board space, and Dar Caldwell had great advice.”
Slater chose the name “Fayvel,” which means "bright one" in Yiddish because the term resonated with the brand's concept of empowering kids to personalize their shoes and harness their imaginations for creativity.
While the shoes are currently available through the Fayvel site, Slater has talked to major retailers about carrying the brand. The shoes are available in sizes 10 through two and will be available in kids’ sizes three and four in May. The Frieze Tags come in sets out four around 10 different themes, with more on the way.